Dezső SzabóLandscape

The equipment used for this series was always the same type of a small film camera and the same lens. The type of film used (Fuji 100) and its characteristics have not changed over the 18 years. These technical conditions ensured the intention to make the resulting shots comparable with each other in a way that excluded most contingencies or changing technical factors.

The images are 2:3 aspect ratio, landscape format, with the horizon bisecting the field of view. The scene is defined by the ever-changing phenomena of the sky and water surface. At the centre of the image is the twin peak of Fonyód, which from this particular perspective appears almost symmetrical. The size of the mountain is not dominant in relation to the surface as a whole, but it is a recognisable and constant reference point. Its position at the centre of the image makes it clear to the viewer that, despite the changing landscape, he is always seeing 'the same thing'.

The motif of Fonyód Hill had already appeared in his black and white photographs before 1996, but then he began to work exclusively for colour film. This factor allowed him to start realising the idea he had already conceived. In addition to the tight, conceptual use of photography, the series is characterised by a reflection on impressionist painting. The basic experience was to contemplate the atmosphere of Lake Balaton, the lake, the landscape, the changing colours and lights. From this came the concept of the series-work, that is, to follow and document this constant transformation through photographic representation.

The exhibition is supported by the European Capital of Culture Veszprém-Balaton 2023.