These early "Pucara bulls" had elongated bodies, two horns, flat surfaces and minimal decoration. They were solid, unglazed figures that were not made in a kiln.
Originally, the "Pucara bull" served a practical purpose, often being shaped as a jug to carry liquids such as water or spirits, especially for travellers. Over time, the city of Pucara became a bustling marketplace, attracting traders and travellers from Peru, Bolivia, Argentina and Chile. Pilgrims and travellers from the highlands, especially those from Cusco who followed traditional Andean customs, were among the first to buy these ceramics. The 'Pucara bull' became very important both as a utensil and as a sacred object, used as an 'Illa' (amulet) in rituals to honour the 'Pachamama' (Mother Earth) and to ensure the fertility of livestock.
With the spread of bullfighting in the city, local priests encouraged craftsmen to decorate the bulls with ornaments that reflected the costumes worn by the fighting bulls. The Spanish potters collaborated with local workshops, resulting in a cross on the bulls' foreheads and a saddlebag on their backs. This marked the birth of the now iconic 'Pucara bull'. These bulls became a regular feature of ritual ceremonies such as the 'Pujllay' (carnival celebrations) and agricultural festivals in the Andes.
According to the Andean tradition, the placement of two "Pucara bulls" on the roofs of houses symbolizes duality, unity and happiness at home. Accompanied by a cross, these clay bulls form a powerful symbol, representing the union of the natural elements of water, fire and air, man, earth and space, all intertwined in the essence of life. For mountain people, this sacred combination provides protection for home and family, and wards off negative forces.